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The classic character of a U67 in a modern TLM design. An old friend returns to our VO studio – the Neumann TLM-67.

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It always happens just as a piece of gear leaves Studio1A. I realize just how much it will be missed. And so, the story goes with the Neumann TLM-67 microphone.

The sound, brought back to life from a simpler time, just feels right. A bit of that cozy-warm character …but not too much, exemplifies the TLM-67. An 80th Anniversary tribute to Georg Neumann, the 67 has a bold bronze colored silhouette of the man himself

The 67 is available as a standalone microphone or with the classic shock mount ‘Set’. If you don’t have a Neumann EA87 shock mount laying around, the TLM-67 Set is the way to go.

Body size is roughly U87, but coated in a darker color with the bronze looking badge. Being a TLM, this is a transformerless microphone, relying on a circuit card to match the output. On the back, you’ll find attenuation and low-cut filter switches. On the front, a single pattern switch allows for cardioid, omni and figure-eight pickups. For a sensitive, large diaphragm condenser, this one is just right for a project studio. The 67 isn’t overly sensitive and proximity effect is minimal. That’s what I like about this model. It’s not too transparent, bright or boomy; but just right.

Don’t take my word for it, have a listen to the new Neumann with a classic sound…

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As promised in the Tube MP audio cast, here is a video showing the device in use.

This time, I utilized a condenser (Blue Mouse). As expected, the 20db pad (and phantom power) came in handy. The audio-only program was recorded with our Electro-Voice RE-27ND dynamic.

Hope you enjoy a look. There’s a lot of value in this sub-$100 box.

The Studio V3 Tube MP at BSW.

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mark at newmediagear dot com

Sponsored by BSW. Voiceover, Podcast, Broadcast and New Media Gear is here…

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Much smaller than your laptops power supply – the GoMic is ready for travel.

With a built-in zero-latency headphone amp along with omni and cardioid electret elements, the GoMic gives a lot of bang for the buck. It won’t replace a studio microphone, but it will deliver surprisingly good results as a substitute for your laptops built-in mic. Many people are even using the GoMic to record acoustic guitar and piano.

Keep in mind that I purposely left the GoMic levels low. A USB mic will require normalization and processing on the back end. Keeping levels conservative during USB recording helps guard against flat-topping.

Have a look and listen to the little mic that delivers on value.

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Drop me a line with comments, thoughts and suggestions:
mark at newmediagear dot com

Sponsored by BSW. Podcast, Broadcast and New Media Gear is here…

Be sure to check out the NewMediaGear YouTube Channel!

Studio1A is Powered by Panamax UPS Line Protection…

Studio1A BlueMax Lighting by full spectrum solutions…

Drop me a line with comments, thoughts and suggestions:
mark at newmediagear dot com