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The Shure SM-7B. A Broadcast Pro.
Only a handfull of microphones can claim to be on-air radio classics. A relative newcomer (in the scheme of things) is the Shure SM-7, introduced in 1976. This mic succeeded the smooth, popular and sometimes physically overbearing SM-5.
True to it’s heritage, the SM-7B houses a modest dynamic element which is protected by steel and foam. Electronics aside, I always attributed the smooth, silky sound of the SM-5 (discontinued) and SM-7 series to the generous amount of foam surrounding the deeply planted element – almost 3 inches away if you actually touch the foam. There is also the ‘low output’ legend of the SM-7 series. It’s true that the SM-7B needs a boost, but not much more any other studio dynamic. Many modern mic preamps are designed around large diaphragm condenser models which are much hotter. Instead of a preamp that struggles with 40db, look for 60db+ of boost for the SM-7. However, don’t confuse power with quality. The SM-7 delivers rich, smooth sound in a busy studio.
A broadcast workhorse, the SM-7 series will hold up to the toughest of broadcast tasks while looking very distinctive. The SM-7B delivers two difference foam windscreens. You’ll also find a potent ‘voice’ boost switch as well as low rolloff.
Join me for a test drive of the classic Shure SM-7B.
Shure SM-7B Street Price at Post Time: $349

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mark at newmediagear dot com










