Broadcast and Pro-Audio Gear – NewMediaGear. Follow me for the latest!

It was great fun being behind the camera this time at NAB 2013. Several product videos are posted, but many more are on the way. It’s likely not a surprise that most of my time was spent shooting pro-audio and radio products. Check out the BSW facebook page for great gear coming your way.

Post-NAB; I am truly excited about getting in front of the camera back at Studio1A. As always, we are working on major studio changes. The one, never-changing constant is great gear.

mark@newmediagear.com

@markjensen

For Broadcast updates from NAB 2013, follow me!

At Studio1A, we’re “gearing up” for the 2013 National Association of Broadcasters convention. The worlds biggest broadcast buffet, NAB is the place to spot new trends, check out emerging products …and catch up with colleagues from every corner of the planet.

Thanks to our friends at BSW, I’ll be panning the camera on what’s hot in broadcasting. The first syllable of broadcasting is amazingly appropriate this year. Media content consumption is everywhere. From smartphones, IP based TV, streaming/casting and OTA in all it’s forms – broadcasting has never had a …well, broader and wide spectrum audience.

I’ll be catching the highlights for BSW and cross-posting right here on NewMediaGear. Follow me on twitter. If you’re at the show, stop by and ask for me! BSW “base camp” is Central Hall, C1556.

Stay tuned!

NewMediaGear is proud to be sponsored by Broadcast Supply Worldwide

For Broadcast updates from NAB 2013, follow me!

Not too big, not too small, but just right. For decades, Marantz Professional has delivered the goods when it comes to pro audio recorders of all sizes. As the world keeps getting smaller, Marantz Professional continues to fill the gap between pocket and studio bound rack recorders. A modest recorder that delivers satisfying performance. PMD661MkII; enter stage left.

Included with the recorder is a 3.5mm – RCA stereo cable for hi-z in or out, a USB cable, AC power supply, carry strap, 4GB SD card and CD. The DMP Editor CD manages file markers and file encryption features for Windows users.

The heart of a 661MkII can beat up to 96kHz for linear PCM/WAV (16/24 bit). MP3s encode from 64 to 320kbps. Generous amounts of standard recorder features can be garnered from the (downloadable) 661MkII manual.

Let’s talk about the stand-out features of a 661MkII. Physically, the recorder is solid and makes a professional impression. With a stealthy black finish, the high contrast OLED display and separate LED level meters keep you informed.

Dual XLR inputs let you decide – line or mic level. A 48 volt phantom switch can feed full sized condensers. A (optional) remote connector is flanked by two internal electret microphones. DC power, digital (S/PDIF) and USB I/O are followed by an SD card bay and confidence speaker. Power, key lock, RCA/hi-z outputs and a 3.5mm 2nd line-in join the opposing side confidence speaker.

I saved the best for last. At the front of the 661MkII are (what look like) two mini rack pulls. They actually protect the physical concentric record level adjustment. A full size 1/4″ headphone jack is next to the recessed headphone/speaker level roller. On top, ten mini LEDs indicate levels. The oversized record button is inside a concentric lighted radius. While small, these are the features I found most helpful. Has anyone “recorded” an interview to find the pause button still on? …not me

Marantz Professional recorders should impress with quality recording and playback. I wasn’t disappointed with audio quality, adjustable to your mission. MP3 encoding saves helpless bytes at the price of accuracy. 24-bit linear WAV/BWF pulls out all the (quality) stops when transparency is key. Onboard file encryption keeps prying ears from your recordings. Decrypt files using a “pin” number.

A broadcast icon, Marantz Professional recorders are also versatile in a sea of vertical markets. Law enforcement, court reporting, education, houses of worship, legal and medical are just a few uses where the 661MkII would be at home.

Pocket audio recorders abound …perfect for their intended use. Features and form factor lend an all-business presence to the 661MkII. Pro video also deserves pro audio. Mate the 661MkII with a pair of nail driver broadcast dynamics or discretely lavaliere it.

Your listeners, clients, co-workers, students or colleagues will know you’re audio-serious when a 661MkII is on-scene.

NewMediaGear is proud to be sponsored by Broadcast Supply Worldwide

Sponsored by BSW. Voiceover, Broadcast, Podcasting, Pro-Audio and New Media Gear is here…

Most recognizable in broadcast and journalism, portable audio recorders are also industry workhorses found in education, law enforcement, medicine, transcription, research and much more. With the ease of SD card storage and small, quality electret microphones, the foundation for pocket sized pro audio recording emerged years ago. The Marantz Professional PMD cassette line of recorders is legendary, but now a mere memory. Let’s fast-forward and check out the PMD-620MkII. For the sake of brevity, I’ll refer to this model as the 620MkII.

Inside the box, you’ll find both USB and line level cables. Also included is a carry strap, 4GB SD card, belt/tripod holster and AC power supply. The CD contains PC editing software and the keys to unlocking encrypted files.

Shallow as it sounds, the discrete, almost stealthy appearance exudes professional. Dressed in black, the 620MkII easily slips in and out of a pocket without protruding parts or edges, lending a solid unibody-type feel. Stereo electret microphones are safely mesh-protected topside, visually mated to the body. The high contrast, energy efficient OLED matrix display is bright and sharp. Handy LEDs above the main display indicate audio presence and clipping at a glance.

Shaped as a jog/shuttle wheel, menu navigation is handled by a rocker switch. A large edge-lit record button stands out, ready for action. All audio connections are 3.5mm. On top, inputs include mic or line level. Side accessible line out, phones and (optional) remote control input are above the DC power feed. The right side of the recorder includes record level adjustment, key lock and power switches. USB 2.0 and SDHC card portals are bottom facing. Two alkaline or NiMH batteries are accessed from the back where you’ll also find a small confidence speaker. There is no wasted real estate on this little recorder!

We could talk for hours about the menu structure alone, but when the record button is pressed and peak reading meters start bouncing, there are a few key things that can make or break your recording.

Select WAV files for quality or MP3 to reserve maximum space on your SD card. MP3 specs max out at 48kHz/192kbps. Linear PCM WAV can be bumped up to 48kHz/2304kbps. MP3 or WAV formats allow mono/stereo recording with an ample matrix of sample and bit rates. ALC keeps the audio pumped, if needed. It’s no secret that the ALC should be off in all but the most extreme dynamic emergencies.

Remember VOX? Maybe not. If inclined, use “Silent Skip” to only record sound above a user-defined threshold. I hate blank tape …or bytes.

James-Bond-like encryption will keep your files private, but there is a dark side. Currently, Marantz PC software (included) is needed to unlock file encryption. Without emulation, my Mac Air couldn’t join in on the stealthy fun. Don’t confuse encryption with compatibility. Unencrypted files are fully compatible with Mac or PC via SD card or USB mounting.

The “retake” feature is a quick way to overdub, but file editing is much easier on the big screen. Interval recording is great. Instead of one 32GB WAV file, tell (you really need to push buttons) the 620MkII to automatically create a new file every few minutes or hours.

I almost forgot to tell you how the 620MkII sounds! A lot of portable audio recorders have passed through my studio. The truth is that most all brands sound very good given the limitation of micro-electret sonics and preamps-on-a-chip. Plug in a professional dynamic microphone (using an optional 1/8” to XLR pigtail) and you’ll be amazed at what the 620MkII can do.

My experience with portable audio recorders usually comes down to ergonomics, quality, fit and finish. That may sound strange, but the world is a fast place. The last thing I want to do is fumble through menus or clunky buttons when seconds count.

PROS:
Is your recorder small and slim enough to always ride along? Can you quickly find and tap “record” in the dark? Do the buttons wobble noisily? Can you see the display in various lighting conditions?

The Marantz Professional PMD-620MkII continues the PMD tradition of quality and attention to detail.

CONS:
The 620MkII offers a useful file encryption feature that leaves Mac users hanging. I’m hoping a Mac utility is in the works. Price; the good stuff is expensive. Visually, the 620MkII had me at OLED, but a larger display would be nice.

Finally, include the cost of a small wind sock to your portable recorder budget. Regardless of model, those mini electrets love the wisp of a brisk breeze.

Is the 620MkII right for you? For my use (mostly on-the-go interviews and sound bites), the 620MkII gets high marks for its small size and big performance.

The NewMediaGear YouTube Channel is back!

@markjensen

Sponsored by BSW. Voiceover, Broadcast, Podcasting, Pro-Audio and New Media Gear is here…

The Vorsis M-1 from Wheatstone is voice tailored as a front end microphone pre-amp and comprehensive processor. We expect good things from Wheatstone, a leader in professional audio consoles. The Vorsis line of processing builds on that leadership, offering a gateway tool to their flagship products.

What sets a Vorsis processor apart from the pack? A DSP device from the ground up, the M-1 delivers outstanding range, features and flexibility not possible in legacy hardware. The front panel is busy, but the real power lies in the included remote control software. I never even touched (well, maybe once) the front panel. Let’s jump into the M-1 out-of-box experience.

Via front panel or remote network control, the benefits of a digital processing engine come to light immediately. It is very easy to over-control the M-1. Pre-amp, compressor and expander sections are logical and respond perfectly. I found the de-esser to be a bit harsh. Either too aggressive or not noticeable, that de-sibilized sweet spot was elusive. Fortunately, any logical section of the M-1 can simply be toggled on or off from the software.

With so much DSP latitude, it became apparent that the M-1 could take on (almost) any sound you may want. Nudge the passband a bit, create, bump and move the emphasis, narrow the Q –and so it goes. From transparent to warm, tame to aggressive, the M-1 offers endless personalities – its strongest attribute. Create multiple templates for different clients or personalities. Take time to tweak an M-1 personality for the job and it will become not just an acquaintance, but a friend.

Listen in and let me know what you think?

Drop me an email with your own MP3 file and we’ll do our best to put you ‘on-the-air’.
mark@newmediagear.com

The NewMediaGear YouTube Channel is back!

@markjensen

Sponsored by BSW. Voiceover, Broadcast, Podcasting, Pro-Audio and New Media Gear is here…

[insert dramatic music] In a world where microphone preamps and processors could each set you back four-figures in US dollars, a loan competitor reigns supreme. [dim music]

Dramatic, but true. The dbx 286 line is well respected and hits a budget minded price point. A one rack-unit device, the 286s is the latest offering from dbx.

You’ll find a clean mic preamp, compressor, de-esser, noise gate and low/high frequency enhancement. What I liked most about the 286s overall is the responsiveness. From preamp to compressor and filters, the range is quite wide and more than adequate.

If I could single out the biggest difference between a high-dollar (four figures in US dollars) strip and the 286s, it would be the ‘sound’ of the pre-amp. While quiet and well behaved, I wanted a bit more character.
…a bit of that analog inspiration

Having said that, I found the 286s to be a pleasure. The affordable price point is stunning and the performance rises above expectations.

But, don’t let me bore you with words. Listen in as we plug in and power on for a hands (and ears) on demo.

Listen in and let me know what you think?

Drop me an email with your own MP3 file and we’ll do our best to put you ‘on-the-air’.
mark@newmediagear.com

The NewMediaGear YouTube Channel is back!

@markjensen

Sponsored by BSW. Radio, Television Broadcast and Production. The Gear is Here. NewMediaGear…

Remember that clunky old box and headset wired to your wall? The telephone of the past isn’t quite a memory. Today, more than ever, home and business users turn to smart phones, Skype/VoIP and advanced CODEC algorithms for voice and digital communications.

Still, (texting aside) the human voice reigns supreme for effective communication. Mere text cannot intonate, inflect or bond a conversation. Some may give an LOL to that. In fact, both modes have become a binding part of our daily communications.

Back to this telephone (or ‘Plain Old Telephone Service’) technology. Twisted pair, copper or whatever moniker we tag to the analog telephone, it is still the quickest and amazingly easiest way to personalize communications to most parts of the world.

Radio talk shows are as popular as ever. Broadcast and media interviewers rely on POTS as a vital tool. Among the top tools that interface telephone to our audio boards is the hybrid. Having tried several brands, I remain biased by the simplicity and power of a single product; the Telos family.

The Telos One is a telephone gateway to your desktop workstation, interviews and recording voice on the fly. One button operation, advanced digital signal processing and leveling make the Telos One a ‘mount and forget’ workhorse.

From the Telos One, a new star has emerged. Enter the Telos Hx1. Sporting a new look with real time metering, the true beauty of the Hx1 lies in its advanced digital signal processing. Tweaked for todays myriad of phone audio and annoying delays, the Hx1 helps call after call sound consistent thanks to dynamic digital EQ. Adaptive automatic gain control and noise gating, based on Omnia technology uniquely position the Hx1 from the crowd. Front panel send and receive meters allow visual confidence monitoring. Above are just a few highlights of many new Hx1 features.

I would like to tell you an Hx1 is in the rack at this time. At Studio1A, we are working to make that happen. A comprehensive real world demo is headed your way, so stay tuned and keep talking!

@markjensen

Sponsored by BSW. Voiceover, Broadcast, Podcasting, Pro-Audio and New Media Gear is here…

All business. Decades ago, that was my first impression of the Shure SM-7. Today, it remains unchanged. Arriving in a plain white box, the unassuming SM-7B waited for a test drive to come alive. Unique styling, solid performance and durability that should last a lifetime. That’s the SM-7 I know.

A cardioid dynamic, the SM7B requires a nice boost from the pre-amp. The back cover reveals two switches. A typical low cut switch sits next to a (not so typical) articulation switch. Most pro microphones include some type of articulation bump that slightly boosts the speech area. Very few microphones allow you to switch the mid-high boost on and off. …the SM7B does

You’ll also find two distinct foam wind screens. One wind screen covers most bases, but an industrial, heavy duty screen is also included. This mic loves to be close talked, and I took full advantage of that!

Listen in and let me know what you think?

Drop me an email with your own MP3 file and we’ll do our best to put you ‘on-the-air’.
mark@newmediagear.com

The NewMediaGear YouTube Channel is back!

@markjensen

Sponsored by BSW. Voiceover, Broadcast, Podcasting, Pro-Audio and New Media Gear is here…

The Legendary Neumann U87ai.

This time, on NewMediaGear, listen in as we demonstrate an iconic microphone. In this Summers Neumann finale, the U87ai takes center stage.

Without even knowing it, many people have seen a U87. A multi-pattern large diaphagm condenser, this mic exudes quality and versatility. The Neumann name ensures immaculate quality. Combine these qualities and it becomes apparent why the U87 is one of the most prevalent studio microphones available.

This show starts with another classic; the Sennheiser MKH416. The 416 is one of the worlds most popular voiceover microphones, but its charge is completely different than the U87. A stark contrast you can hear.

The U87? I can sum it up in a few words (well, maybe a few sentences). The U87 is a chameleon. It’s not too much of anything. Transparency, smooth but with just enough ‘air’. Proximity effect is there, but it’s extremely gentle. The only surprise was bass boost in the figure-8 pattern, which you’ll hear. Patterns include cardioid, omni and figure-8. There is also a low cutoff and 10db pad, accessible from the back. Available as a standalone mic or a “Set”, I would highly recommend the set. As a substantial investment, the shock/spider mount is a better value when bought with the microphone. The set also includes a mic cable and foam windscreen. The U87 comes in a beautiful cherry, velvet lined box with the Neumann seal. I like high quality condensers to be open, so my demo was done using only a Stedman blast filter.

The debate about compression and processing is not new. How we handle our audio will always be in contention because it is a form of art and expression, regardless of the venue. I noted that the compressor barely touched this audio clip, which is fitting for a microphone like the U87. However, just as many people might like to hear this show with a bit more ‘bite’. I decided to run the exact same (linear PCM) file through a moderate amount of compression and save it as a different file. We end up with exactly the same content as pure as possible and another with a bit of jolt.

Neumann U87ai – Extremely Light Compression

Neumann U87ai – Slightly Compressed

Hope you enjoy. We have more gear that just can’t wait to get ‘on the air’.

Let me know what you think and stay tuned.

Drop me an email with your own MP3 file and we’ll do our best to put you ‘on-the-air’.
mark@newmediagear.com

The NewMediaGear YouTube Channel is back!

@markjensen

Sponsored by BSW. Voiceover, Broadcast, Podcasting, Pro-Audio and New Media Gear is here…

The TLM 103 with NEW EA4 shock mount, KH120A reference monitors, the TLM 49, U87ai and TLM 102.

It’s been a while. Behind the scenes at Studio1A, a new iMac and one of our prime video machines (better performance than our Mac Pro) took a dive from the desk. After a complete rebuild, we are back on the air with our series of Neumann studio microphone demos -this time in audio. The test pattern will soon be history and we’ll be back on YouTube for the next show.

Speaking of our next show -the legendary Neumann U87ai takes center stage. A YouTube vidcast too? This one deserves it. In short order, a unique audio demo will air. Stay tuned!

Drop me an email with your own MP3 file and we’ll do our best to put you ‘on-the-air’.
mark@newmediagear.com

@markjensen